My approach to cinematography is all about lighting. Light is the vehicle that drives the emotional content of each scene. I like to read the script and chart the emotional landscape and temperature, often on a storyboard or notes in the column. What percolates up on the set is a combination of those impressions combined with the practical possibilities before the camera in the moment, the director's vision, and my read of that moment. Camera movement, framing, and exposure are all important, but amount to little in the end if the light is not working with the performance.
I own  a 4K Pocket Black Magic cinema camera, with a full compliment of lenses and accessories. I also have lightweight and portable LED lighting that makes shooting indoors and out fast and easy. I also have  the Tentacle Sync system to provide synchronized timecode on three devices simultaneously for easy edits on single and double camera shoots.